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Starring Sonam Kapoor, Anil Kapoor and Rajkummar Rao in the lead roles, it was no doubt a bold move for a commercial banner. Interestingly, the first mainstream Bollywood film to touch upon a homosexual theme after the historic Supreme Court verdict that decriminalised gay sex last September was Ek Ladki Ko Dekha Toh Aisa Laga (February 2019), co-written by transwoman and activist Gazal Dhaliwal. What further complicated matters and often confused heterosexual audiences was that these films mostly relied on silences and suggestions to convey gay or lesbian content, avoiding graphic or provocative details. Even so, a handful of films in more than two decades - juxtaposed with memorable blockbusters such as Karan Johar’s romantic comedy Dostana (2009) where, despite the benign intent, homosexuality was further stereotyped - is a pitiful record. It would take another decade for homosexuality to come up in feature films like My Brother… Nikhil (2005), followed by yet another long gap before Margarita with a Straw (2014), Aligarh (2015), Loev, Dear Dad and Kapoor & Sons (all 2016) scored positive reviews.
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“Films and TV shows would either exaggerate or underplay their depiction of LGBTQ people, and this careless approach would inform all strata of society, including workplaces,” says Prakriti Das, a Delhi-based corporate trainer, who advocates for gender diversity and inclusivity in organisations, adding, “That’s why it’s vital for cinema and television to take a sensitive approach.” Director Mani Ratnam managed to quietly introduce a transgender character in a subtle way in Bombay (1995) but when filmmaker Deepa Mehta touched upon the topic of same-sex love between two women living in the same household in her 1996 film Fire, it provoked vitriolic protests around the country. While gay-themed films such as 'Brokeback Mountain' (2005), 'Milk' (2008) and 'Moonlight' (2016) received acclaim in Hollywood, the dominant film industry in India - Hindi cinema - largely avoided the subject of homosexuality and transgenderism for years, even as it portrayed the third gender only for comic relief.
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Hotelier Keshav Suri’s foundation has launched TRANSaction, a series of acting workshops in Delhi and Mumbai for transpersons.Ī radical thought for Indian audiences, perhaps, but it has taken root slowly, deliberately and painstakingly. That is how we see the world, and that is how we tried to portray Karan: as a normal guy, with a regular life,” she says.
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“The series has been created, written and directed by people whose point of view on homosexuality is very clear: we believe human beings are free to love whoever they like.
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“Being gay is normal,” says Alankrita Srivastava, award-winning filmmaker of 'Lipstick Under My Burkha', who has co-written the 'Made in Heaven' series and directed two of its episodes. The good news is that there is a growing breed of filmmakers and influencers who are reaching out through non-profit and for-profit ventures to give less privileged LGBTQ persons visibility, opportunity and jobs. And if their portrayal has been problematic, their representation on and off screen has been even worse, with few openly gay and transgender persons finding space.
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In an ideal world, such a character would have been normative, but in a country that has only recently decriminalised gay sex, the depiction of sexual minorities in cinema and television has largely been tinged with social stereotypes, religious reproval and the very real fear of censure.